May 28, 2004 at 9:43 am
Did anyone else hear Desert Island Disks this morning.
It featured double Oscar winner Sir Ken Adam, production designer on seven of the James Bond films – including Dr No, Goldfinger and Diamonds Are Forever.
More importantly for this forum he flew Typhoons with 609sqn. Rather interesting.
Anne
By: Snapper - 29th May 2004 at 07:22
Ah, but Ken is deserving of a wider audience…
By: Flood - 28th May 2004 at 22:50
Desert Island Discs isn’t one of those on Radio 4s listen again bit… Must be some sort of licencing problem with the company that makes it.
Flood.™
By: Snapper - 28th May 2004 at 22:30
Compressed them a bit too far I fear…
By: Snapper - 28th May 2004 at 22:28
Thats the third time i’ve heard about this now. Wish i’d heard before! Its on again at 11.15 on Radio 4, Sunday. If anyone can try and tape it for me i’d appreciate it – just in case I don’t get it recorded. He’s a nice bloke, and his cigars are huge! (The chap he’s laughing with is Jimmy Stewart DFC).
Klaus Hugo ‘Ken / Heinie’ Adam
Berlin-born Sir Kenneth Adam, KB, OBE, arrived in England from Nazi Germany in 1934 when he was 12 years old. After leaving school he studied architecture at University College, London, and the Bartlett School of Architecture, before joining the Royal Air Force as a fighter pilot in 1941. He and his brother Dennis were the first German-born pilots in the RAF, Dennis joining No. 183 Squadron in 1944, as part of the same Wing (No. 123) that his elder brother was flying in with No. 609 (West Riding) Squadron.
“I finished training and joined 609 Squadron on 1st October 1943, stationed at Lympne. In the meantime I had changed my Christian name from Klaus Hugo to Ken Adam, but everyone usually called me Heinie! I went straight on to Typhoons. Our job was basically to escort American bombers. On my first operation, I nearly ran out of fuel because my Typhoon wasn’t fitted with long-range tanks. We were flying medium-level escort over France, and my engine had cut on main tanks, so I switched over to reserve, but I thought I had better call up the CO. He gave me a terrible bollocking: ‘ Reduce your revs and try to glide back to England’. Then as I was turning, I saw planes being attacked right and left of me. There were no enemy aircraft around, but there was a high-level escort of American fighters who had never seen a Typhoon, and they thought we were Focke-Wulf 190’s, and so they just took a dive at us. And our squadron commander (S/Ldr Patric Glynn Thornton-Brown DFC) was shot down, along with a couple of others, and an American pilot in 609, a famous ice hockey player, Artie Ross, was also hit, though he managed to get back and force land somewhere on a beach. Then they sent Artie Ross to all the American fighter stations to show them a Typhoon, and I believe some pilots were later court-martialled. It was a terrible thing to happen, especially on your first operation.” Adam was to typically sport an RAF moustache, though rather than growing it as an attempt to look older, as many did, it was instead to help disguise his ‘Jewishness’ in case of capture by German troops.
Postwar, Adam has become one of the most highly regarded and influential film set designers internationally and has been nominated for Oscars for art direction five times, winning two, with ‘Barry Lyndon’ and ‘The Madness of King George’.
In 1947, Adam entered the British film industry making set drawings for ‘This Was a Woman’. He rose rapidly from draughtsman to art director, having been assistant art director on ‘The Queen of Spades’, ‘The Hidden Room’, ‘Your Witness’, ‘Captain Horatio Hornblower’, ‘The Crimson Pirate’, and ‘Helen of Troy’, before becoming full art director for the European-based sequences of Mike Todd’s ‘Around the World in 80 Days’, for which he earned his first Academy Award nomination for the winner of Best Picture for 1956. In 1962, Adam began work on Dr. No, the first in the series of James Bond films. From low-budget at the beginning to more lavish allowances during the 1970’s, Adam was able to give greater rein to his creativity. Influenced by his studies in architecture, Adam’s designs have resulted in some of the best-styled sets of modern cinema, including the acclaimed war room from Dr Strangelove, and, along with the cars used in the James Bond films, the all-time classic ‘Chitty Chitty Bang Bang’. His 1964 design of the vaults at Fort Knox in ‘Goldfinger’ came from his own imagination – access having been denied to him. So convincing was the design that it was commonly believed that the sequences had been shot on location.
In 1999 Adam designed the interior of Berlins millennium exhibition pavilion, and the Queens Birthday Honours list for 2003 included the following: Diplomatic Services – Knight Bachelor – Kenneth Hugo Adam, OBE, for services to the film industry and Anglo-German relations.
Filmography
2001 Stanley Kubrick: A Life In Pictures
1999 The Out-of-Towners – Production Designer
1997 In & Out – Production Designer
1996 Bogus – Production Designer
1995 Boys on the Side – Production Designer
1994 The Madness of King George – Production Designer
1993 Undercover Blues – Production Designer
1993 Addams Family Values – Production Designer
1991 Company Business – Production Designer
1991 The Doctor – Production Designer
1990 The Freshman – Production Designer
1989 Dead Bang – Production Designer
1988 The Deceivers – Production Designer
1986 Crimes of the Heart – Production Designer
1985 King David – Production Designer
1985 Agnes of God – Production Designer
1981 Pennies from Heaven – Associate Producer, Production Designer
1979 Moonraker – Production Designer
1977 The Spy Who Loved Me – Production Designer
1976 The Seven-Percent Solution – Production Designer
1975 Barry Lyndon – Production Designer
1975 Salon Kitty – Production Designer
1973 The Last of Sheila – Production Designer
1972 Sleuth – Production Designer
1971 Diamonds Are Forever – Production Designer
1970 The Owl and the Pussycat – Production Designer
1969 Goodbye, Mr. Chips – Production Designer
1968 Chitty Chitty Bang Bang – Production Designer
1967 You Only Live Twice – Production Designer
1966 Funeral in Berlin – Production Designer
1965 Thunderball – Production Designer
1965 The Ipcress File – Production Designer
1964 Goldfinger – Production Designer
1964 Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb – Production Designer
1964 Woman of Straw – Production Designer
1963 In the Cool of the Day – Production Designer
1962 Dr. No – Production Designer
1962 Sodom and Gomorrah – Production Designer
1960 The Trials of Oscar Wilde – Production Designer
1959 Ten Seconds to Hell – Art Director
1959 The Angry Hills – Production Designer
1959 Portrait of a Sinner – Art Director
1959 Ben Hur
1958 Gideon of Scotland Yard – Art Director
1957 Curse of the Demon – Production Designer, Set Designer
1956 Spin a Dark Web – Art Director
1956 Around the World in 80 Days – Production Designer
1947 Prairie Express – Character played: Pete
1947 Flashing Guns – Character played: Dishpan
Best Art Direction: The Madness of King George, Won Academy Award – 1993
Best Art Direction: Addams Family Values, Nominated Academy Award – 1977
Best Art Direction: The Spy Who Loved Me, Nominated Academy Award – 1975
Best Art Direction: Barry Lyndon, Won British Academy Awards – 1965
Best Art Direction of a Color British Film: The Ipcress File, Won
By: EN830 - 28th May 2004 at 12:38
I seem to recall Snapper mentioning this in one of his posts a while back.