That’s better.:) and I still can’t figure out what the aircraft behind them is.
The aircraft behind are Neptunes.
There were Lancs with Lifeboats at St .Eval as well. The fit was there for the Shackleton 2’s IIRC., but I think the Lindholme gear put an end to that option.
I always seem to forget that many times links to external sources get changed and then finding information can get a bit difficult down the road.
Here is the paragraph describing the synchronization of the props in the B-24 from the link.
“We had slipped into our place in the formation, and I was concerned about the number three engine, which was just outside my window. I had synchronized the props, first by tachometers, then finer synchronization by changing prop pitch until you got rid of the changing shadows seen by sighting through the two props on the left, then the two props on the right. Final synchronization was by killing the sound “beat” of the two left props being a little off timing from the right. If you listened, you could hear a varoom-varoom-varoom. I would then speed up or slow down the right pair to sound-synch with the left with gentle nudges on the pitch of the props, resulting in the sweet smooth roar of our well-synchronized engines. I’m pretty hard of hearing now, and I like to attribute it to my glory days as a B-24 Pilot and Co-pilot. Well worth it to have had such a once-in-a-lifetime privilege.”
I don’t think the author would mind me pulling this from a very interesting story.
Truc
Truc.
I think the only question left in my mind is that of there possibly being some variation of Left and Right Synching. I had come across two versions.
A. As above with both wing groups being synched first and then brought into tune together by slowing the beat until it went. ( I subsequently deleted this part from my mail because I also then recalled):
B. In which the outers were firstly very slighly pulled back together and the comparitively louder inners initially synched by sound, with then the outers “brought up and in ” by visually strobing. (This of course could potentially result in a bit less yaw compensation being required from the pilot , and therefore be a smoother overall operation if being performed by, for example, the engineer).
Finally ,I do note the remark in the manual of words to the effect IIRC that with experience one could actually do it all on sound alone.
There’s a rather suspect looking plastic doorbell on the doorframe of one of the cottages (or the pub?) in BoB….
Spotted that one when I was 9 because we had the exact same type of doorbell.. 😎
sorry, thats all i got for now.:rolleyes: .. LOL!!
It was at the cottage. Funny how such a tiny item jumped out at you.
I think that Benny Fitsch said he knew of over a hundred “howlers” in BoB that he had to let by during filming.
Thanks for info, looks like just what we were after, I wonder if thats why many older multi prop aircraft have a fuselage window level with the propellors?
Yes, one reason indeed ; and often adjacent to the flight engineer’s position
I think Truc’s superb letter plus the enclosed manual extract puts the cap on it.
How his Dad did it on Halifaxes is exactly how it was first shown to me in flight on a Hastings.
. In zulu too some of the zulu warriors were wearing watches too. LOL
Down here they still are.
If you fly aeroplanes , sooner or later you’re going to break them. Luckily ( very luckily) both occupants walked away from this one.
Fortunately there are still a fair number of T-33s around.
It’s all a trade-off in perceived values and these change over the years. Shuttleworth now still fly the Tomtit amongst other unique types, although we often decry in retrospect the flying of the “last” Bulldog at Farnborough in ’64.
Conversely. How many times do they get the sound track right?
I need to stay well clear of the technicals as well. I´m only instructing in twins, and am a certified examiner on them. I´ve never flown a four engined machine. All my time I´ve believed that the blade position in the prop arch does not matter, only the specific RPM of the respective engines. That is why I can not see why a light shining from the cockpit will assist in syncing the engines. But what do I know, never having flown a four engined machine?
I´ve clearly lost the plot somewhere.
Its not the apparent position of the viewed outer prop through the inner prop disc thats relevant. You adjust rpm until the prop ceases appearing to rotate.
By using one propeller effectively as a stroboscope over the other you are then cancelling out seeing the relative motions ( i.e. the differing rpm) between the two propellers and thus then putting them perfectly in sync.
An approximate analogy is how the rotating spokes of wagon wheels in western films seem to go slowly forwards then stop ,then finally go backwards as the buckboard slows down.
When they’re “stopped” the rate is a harmonic of the camera framing rate; same sort of idea with the props -except its 1:1
Yes, and the dorsal turret too.
Strip out all the redundant plumbing, the engine driven hydraulic pumps (originally one on each engine supplying power to one turret each) except leave two pumps to supply the tail turret (for redundancy in case of loss of one engine).
As far a centre-of-gravity for a Lancaster I’m sure the bombload could have been re-arranged to cope with any problems (the Halifax lost its nose turret without problems).
On a Lancaster the nose turret FN5 alone (without guns or ammunition) weighed 237lb (107kg) and the dorsal turret FN50 alone (without guns or ammunition) weighed 340lb (155kg) loaded with guns and ammunition it weighed 699lb (318kg)!
Working on a figure of 22lb (10kg) for each Browning 303 gun and 180lb (82kg) per 1000 rounds of ammunition per gun the FN5 nose turret should weigh about 641lb (291kg) loaded!
Not forgetting of course the gunner for the dorsal turret at about 180lb (82kg).
So a total weight for both turrets of about 1500lb (682kg)…plus a fair amount of drag…and all this had to be carried all the way to the target and in almost every case all the way back.
Without these turrets a Lancaster would fly higher and significantly faster and these were by far the best defences against night fighters. Alternatively some of this weight loss could be traded-off for better range, better bombload (an extra two 1000lb bombs to any target) or a combination of these.
Also when a Lancaster was lost only six crew would be lost or to put it another way a saving of maybe 7000 aircrew lives over the course of the war.
And, yes, I know there are some flaws in this argument but I’m happy to discuss it. 🙂
IIRC I think precisely that argument was put forward at Farnborough during the war.
Logic versus psychology!
The second part of the Ju 87 ” Good Morning Neighbours ” kit was of course tin whistles on the bombs.
I did see a suggested riposte in a contemporary U.K publication for a small metal tube with a crimped rubber reed over one end to be soldered to British Bombs.
Think about it.
I think what JDK may be alluding to here is some form of stroboscopic affect that would allow engine RPM to be accurately matched, rather that any blade position consideration.
Indeed. You matched the inners and outers by precisely what JDK is alluding to and was described by Eddie in an earlier post ( #16) in this thread.
Often this was done from the flight engineer’s position , especially if the flight deck was a long way forward of the propellers, as in the case of aircraft such as the Hastings for example. The Beverley, incidentally, was not alone in having Sync indicators (the little white props on the eng. panel) ; they were usually used (if at all) during initial setting up of synchronisation .
By looking through the inner prop disc to the outer disc you then strobed out the relative motions of the props to get the engine pairs perfectly “in sync.”
In the case of at least one trimotor (IIRC the Ju 52) you looked back from the cockpit ,through the wing engine prop disc, to a mirror on the front of the engine nacelle which was positioned to show the nose prop disc through its propeller ,then matched each prop rpm to that of the middle propeller by the same strobing technique.
Just had a bit of a romp for a few minutes on U-Tube .
I tried “Focke Wulf Condor” :there is a 4 minute film , amongst others with internal flight shots of a Condor . Lovely noise on the soundtrack – not a beat. (only the patriotic music in the background)
Q.E.D. I think on that one.
Putting engines out of synch was deliberate, not an error.
If you don’t believe me, try listening to some soundtracks of pre-war German civil multi engined aircraft. I cannot imagine an FW200 or Ju 90 crew ( or passengers for that matter) putting up with unsynchronised engines for hours on end. Nowadays the same argument still applies with those few Ju 52’s still operating – and they predate most of the types we are talking about.
However, if you would have us to believe German aviation engineering technology was behind everyone else in the thirties……………