Thanks for the quick responses.
You could try going into the custom function menu and seeing if the noise reduction is on or off. Select on and see if this helps the muddines. It does have an impact (under certain conditions), on write times (to the CF card), but would affect this more when you shoot RAW.
There are other software products such as Noise Ninja that might also help you (I have not used these myself yet though!).
Legends 07
OK, here goes with some more. Hope you like them. 😉
A couple of BBMF spits
Taken on a visit to DX a few days before the 50th Anniversary bash in May ’07.
thanks for the comments so far. I have still to commit (think of me as that kid in a large sweetshop 🙂 ).
What do you know about, or how do you rate the Crumpler bags? They are a bit different from the LowePro stuff that a lot of folk go for in that they don’t seem to look like camera bags, but are they as sturdy as the LP stuff?
Thanks again!
Thanks Si for the advice. I’m still hunting around shops for hands on and the internet for deals! Might make a decision soon!
Mossie and then perhaps a Hampden.
I have been lucky over the years to have had the opportunity to have a look inside a few aircraft (highlight being the BBMF Lanc at Blackpool). Live aircraft are a different kettle of fish and genuine concerns regarding FOD and inquisitive fingers playing with controls and instruments are not to be dismissed lightly.
The one thing that gets me is the number of static exhibits in museums that paying guests are not allowed to look over in more detail. Sure, when the museum is busy it is not always practical to allow access, but if the time and effort has been taken to restore the interior, then go ahead and show it off a little more widely when things are quiet (perhaps the state of the interiors are not quite as we are led to believe, but does that matter?)
For me, to have a truly “interactive” experience at an Aviation heritage museum, then access should be expected (perhaps we could all do with being a little more proactive and asking for access or giving feedback?).
Let’s not also forget that risk assessment is a dynamic process, not the heavy duty monolith carried by museums. So, if we as individuals take more responsibility (I would personally sign a disclaimer to allow me to get closer to the exhibits), then perhaps the situation might be able to change.
Exdigger…
That was good, but would have been better with less music and more engine sounds! Is there anything similar on the web for the BBMF or CWH Lancasters?
I too got myself a 350D earlier this year and am looking at getting a 75-200 lens early in ’07.
In the meantime I have been trying to use the camera’s features a bit more in the creative zone of the dial (mainly Tv and AP).
What helped me was a little book by Michael Guncheon in the magic Lantern Guides titled:
“Canon EOS Digital Rebel XT EOS350D” It is a more comprehensive guide than the cameras own manual. I can’t remeber the price, but I got it through Amazon with no problems.
This guide really helped me to get to grips with the creative zone functions, and the digital format certainly helps with practising shots (no more film to waste!).
How about:
No Moon Tonight by Don Charlwood. One of the best written bomber memoirs I have come across, and very moving.
Focus on Europe by Ron Foster. A glimpse of the life of a WWII Mossie PRU pilot, not an area I had read much about before, but an unusual story.
Chickenhawk by Robert Mason. Again a different perspective on the career of a Vietnam Huey pilot, and what an ending (I won’t give it away, but if you have read it you will know what I mean).
You could also try squadron, aircrew and RAF associations for personal memories. After 21 years of service there should be someone around who has a story to tell?