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XN923

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Viewing 15 posts - 976 through 990 (of 1,083 total)
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  • in reply to: Morning Mission (P-51) finished, finally! #230277
    XN923
    Participant

    Fantastic! The multifarious talents of people on this forum is a constant source of amazement to me. Keep it up!

    XN923
    Participant

    Certainly XN –

    Brunters Last Saturday.

    It was cold…..

    Why thanks! Could you make it fly now please 😉

    in reply to: Hurricane query #1342149
    XN923
    Participant

    Thanks Airbedane. In fact the Shuttleworth Sea Hurricane is one of the aircraft I am intending to model. Can you tell me what kind of propeller/spinner it uses as it doesn’t look like any of the De Havilland/ early ‘blunt’ Rotol/ later ‘pointy’ Rotol that I am familar with. Also, while you’re here, Sea Hurricanes seem to have a pair of round holes in the side of the fuselage just above the root of the arrester hook ‘A’ frame – is this something to do with the catapult attachment? What do they look like up close?

    in reply to: Miles M2 Hawk #230301
    XN923
    Participant

    Top stuff. Can I order through the website? Do I need an international money order or will they take a card?

    XN923
    Participant

    BUCCANEER!!!!!

    in reply to: Revisionism in History ~ discuss #1342573
    XN923
    Participant

    Quite agree – just being provocative to see what histories are revealed.

    I’m thinking I’d really like to read/have some sort of us & them view of the whole aerial campaign. Nearest I’ve ever read is “The Other Battle” by (will ID author when I get home and ‘av a look) which is IMHO a fascinating objective presentation of the two battling sides in the Western Front night air war (Bomber Command vs Nachtjagd). But that’s apost-war objective analysis. I’d be fascinated to read a two-sided history containing the prejudices, opinions and “known facts” of the two opposing forces. For example, Rotterdam would be on the one hand a terrible example of odious terror bombing (starting that process so to speak) and on the other hand an obvious and regrettable snafu (whatever the German is for that) that anyone in his right mind would acknowledge as such.

    Anyone know of such a thing? Want to create one?

    Fascinating idea… my initial thoughts are that it should come entirely from contemporary source material as retrospective accounts may be too tainted. However, then you get the problems of propaganda. I suppose what we want to do is contrast how we saw the war at the time with how ‘they’ saw the war at the time, and a highly interesting contrast it would no doubt be. The problem might come with increasing complexity, and with ‘allies’ criticising each other – so I doubt you would end up with one view on one side and another view on the other. But this in itself would be a valuable exercise in… er, revisionism.

    Happy to help if you decide the idea has wheels.

    in reply to: Hurricane query #1342583
    XN923
    Participant

    Thanks all. I will get that book thanks to the Amazon voucher kindly donated for Christmas by the in-laws. In the meantime, anyone happen to know how much longer the cowling is on the MkII?

    in reply to: Miles M2 Hawk #230319
    XN923
    Participant

    Very nice. Any idea when the Mew Gull will be available?

    How much does shipping cost to the UK by the way?

    in reply to: Revisionism in History ~ discuss #1343869
    XN923
    Participant

    Lovely – as a chap who obviously knows his stuff 😉 would you care to offer a similarly cogent analysis of why the US/UK forces advanced so slowly across Germany (and into Berlin) in the dying months of the European War? Was it
    (a) to limit cost of US lives
    (b) to limit cost of US and UK lives
    (c) only [a] above .. the Limeys would have gone at it harder
    (d) to increase cost of Russian lives
    (e) to pay back Germany for being the b’s who started it all ..let the Red Army deal to them
    (f) because of supply chain extension or other practical difficulties
    (g) something else

    cheers D

    My tuppence on the above, for what it is worth. Orthodoxy has it (and as I have argued before, orthodoxy is only there to be challenged, at least for its motivation if not its fact) that individual generals (Patton, Montgomery) favoured a single ‘dagger thrust’ into Germany – each wanting to be the one to do it. Eisenhower meanwhile, favoured a single, slower moving ‘broad front’. Whatever the motivation for this, a) through e) the fact was that supply chain was near breaking point by September 1944 for both northern and southern forces. There were not enough resources to supply both racing armies – Patton got himself into such a squeeze he had to be bailed out by RAF ground attack forces while Montgomery ground to a halt from lack of fuel as the Germans regrouped in the Netherlands only weeks after defences there had fallen to pieces.

    If a) and indeed b) are a factor in the closing months of the war it is probably because of the loss of life in the Arnhem adventure, and the discovery that German defences were a lot stronger than anyone thought they were at the time.

    Basing my answers again on Cornelius Ryan, the suggestion that British and/or Commonwealth forces would have ‘gone at it harder’ than the Americans seems, on the face of it, unlikely; on the ground the feeling seemed to be that American forces were keener to get the job done whatever the cost, while the British field commanders made decisions like refusing to advance XXX Corps tanks up the single, raised road to Arnhem without infantry support, postponing the second and third wave of airborne forces and supplies because of weather conditions etc.

    Alternatively, it seemed like the British command was far more willing to take risks than the American. The Arnhem operation was undoubtedly a high risk strategy by general Browning and FM (as he was then) Monty, very much an all-or-nothing gamble based on the hope more than the knowledge of low resistance – whatever the suggestions at the time and afterwards, both men must have entertained the possibility that the scheme would end in massacre. It was British forces after all that had the most dangerous and isolated task of seizing Arnhem itself while the Polish regiment was well and truly thrown to the wolves. Ike, meanwhile was initially highly opposed to such strategies, continuing to favour his broad front – and only allowed himself to be seduced by the idea of the biggest airborne operation in history.

    I would suggest then that slow moving towards Berlin at the end of the war was probably mostly down to c) coming from Eisenhower alone, for political reasons because he was the one who had to think of the reaction to the loss of American lives – and possibly a determination to keep dissenting generals in check. I find e) unlikely given the experiences in the Pacific where MacArthur is said to have kept Commonwealth forces out of the conquest of the Pacific so it could be regarded as an American victory, instead finding less important and more dangerous missions for UK/Aus/NZ forces in the region – it was simply that Ike had more eye on the body bag count after Arnhem.

    A suggestion for g), letting the little revisionist sitting on my left shoulder get the better of me, might be that US forces were giving the Soviets more to do in Europe instead of letting them get a free hand to invade Japan before the Americans got there (with a large helping of d) not doing any harm either). However, I have absolutely no basis for this other than the recent-ish suggestions that dropping The Bomb on Japan was to pre-empt a Soviet invasion and with one eye on postwar politics in the Pacific. I have not read any legitimate texts about this theatre so what I have offered is populist-revisionist surmising which doesn’t even warrant the title of a theory.

    in reply to: Revisionism in History ~ discuss #1348323
    XN923
    Participant

    Good Lord, not a rhino I hope! I didn’t think I was arguing against TT, this is just bouncing ideas surely! Anyway, I am enjoying this thread but it is a heavyweight, so I’ll browse a few more discussions on restorations, ponder which extinct variety I’d like to have in a UK museum and get back to work!

    PS we’re all friends here aren’t we? I’d rather not fly into any walls of flak, literal or metaphorical!

    in reply to: The 'King Kong' aviation scenes #1348571
    XN923
    Participant

    A tip off, I have it on good authority that Peter Jackson is going to make the ‘Dark Materials’ Trilogy by Philip Pullman next year.
    I think that this series of books knocks Harry Potter off it’s pedestal.
    Filming to be in Oxford and New Zealand, script being written at the moment, filming due to start in August, my apologies if I’ve been given the wrong information, but I think thats it’s a wonderful series of books and have got very excited at the prospect of them being filmed, can’t wait.
    Sorry, not knocking Harry Potter, but I do think that these are superior stories, and very complex, it will take up a great amount of Mr Jacksons time to make this.

    I thought that these were already in pre-production and I hadn’t heard Jackson’s name in connection with them. I could be wrong though. The last I heard was that the story was being rewritten to remove any implied criticism of religion and God, which suggestion many found to be ludicrous and would have ruined the story. If Jackson is involved I have a better feeling about it.

    in reply to: Revisionism in History ~ discuss #1348582
    XN923
    Participant

    XN923 – the other thread that I find makes a gripping ‘Soap opera’ is the TSR2 one – two immovable rhinos slugging it out, the problem is they both have some great points to make…….

    Yes – and a fascinating scrap it has been too, a shame it seems to have ended in less than good nature.

    You only need to look at what TSR2 means to some people to see what there is behind such whatiffery. Whatever the facts, TSR2 has become a totem for a British aviation industry, indeed, any industry that could have been second to none.

    in reply to: Performance data #1348616
    XN923
    Participant

    Lies, damn lies and statistics!!!! You only need to look at the discussion of the Sea Vixen performance in the thread on Simon’s Sircus to realise that published data is not always what it purports to be. I’ve seen two different tables of data for the relative performance of the Hurricane Mk1, Spitfire Mk1 and Messerschmitt 109E recently which disagreed in almost every detail. One said the Bf109E could turn inside a Hurricane and Spitfire at 10,000ft and 300mph. The other suggested that the turn of a Bf109E was almost double the radius of the Hurricane!

    If you can find the RAE data for British aircraft, you will be well on the way. Also there is some useful comparison of British aircraft and captured German aircraft. This is available on the web at least in the case of the Fw190A in comparison with the Spitfire MkVc, MkIX and Mk XIV.

    There is a vast amount of information out there but check, check and check again the source of anything you come by.

    in reply to: Revisionism in History ~ discuss #1348691
    XN923
    Participant

    XN923, agreed however it is fair to say that history was by and large oral -at least as regards the working classes until the 19th century for example
    TT

    And how it exploded thereafter – the Victorians were the masters of creating the legend and passing it off as history. How many European countries are founded on completely fabricated peasant myth? How many ‘national costumes’ were created in the 1870s? I’ve no doubt Hitler learned a few lessons from this process with his creation of the Aryan idyll version of German history.

    But I agree that the explosion of new media is a new twist and is both a blessing and a curse; it gives ownership of knowledge to the masses and has taken control of information further away from those that create it than ever before, but it also gives unprecedented ability to disseminate erroneous, biased, unresearched and unreviewed information.

    Cinema, by contrast, probably has less influence than at any time since its invention, but that has meant even greater emphasis on the box office appeal of anything passing the doors of, at the very least, the major studios. This means appealing to as many people as possible and, less obviously but more dangerously, reinforcing the preconceptions of as many people as possible. Studios are not willing to risk alienating mass audiences by making them uncomfortable, so they tell people what (the studios think) they want to hear.

    The subject of my M.A. thesis was how literature in the late 19th and early 20th centuries followed particular social trends as if its very survival depended on it. It’s amazing to consider how many people seemed to think that art was doomed because of the overwhelming march of science would render it obsolete unless artists adapted to new ‘scientific’ ways. After the first world war of course, when science had noticeably failed to improve man other than in new and interesting ways to destroy himself, the reaction was palpable and art became almost a counterweight to science, a way of providing a social comment on it and reminding the world that there was more in heaven and earth than is dreamed of by your philosophy, Horatio. In time we’ll be able to look back on the art, science and history of this era and see how it was bound to the thoughts and feelings of the time.

    I apologise for such a series of lengthy posts but this subject really is fascinating me and allowing me to develop thoughts which I had not fully formed before (and some would argue still haven’t). The upshot is, the way in which we revise the history of the Second World War (and anything really), both academically and popularly, will say an awful lot about what we as a society need to hear about ourselves and our past. From what I’ve seen recently there is a debate going on about how we talk about war past and present and there is a certain amount of ‘dissonance’ therein – I think what may be happening is that Western nations are trying to work out how to send its sons and daughters to war when their peoples have access to more information about the causes and motivations of those wars than ever before – following the fairly new, post-Cold War realisation that war might always be necessary. At least some people in powerful positions will have it so.

    Sooner or later we will start to get some resolution from the debate between the ‘war is evil’ school of thought and the ‘we must fight to the death to protect what is right’ school of thought. Just how the remake of The Dam Busters comes out will tell us a bit about where we are going.

    in reply to: Revisionism in History ~ discuss #1348696
    XN923
    Participant

    If we compare the XN923 and Doc Sterlings Posts, we come up with another problem – what exactly do we mean by revisionism? I’m quite sure that the people with accademic historical training would veer towards XN923’s view but can’t help thinking that the general public would be more in tune with Doc Sterling (appologies Doc if you are an accademic).

    Of course both deffinitions/views are valid and there in lies the rub, if at one point in time a word can be understood in two such divergent ways, then how does our understanding of words used by writers of primary source diverge from the authors?

    I think this means that over time the way a primary source is viewed may well change, perhaps in the subtlest of ways, purely because the conotations of the words use evolve. A historical revision may therefore well end up being invalid, due the the historian not fully understanding what a sources writer really meant. This is scarey, as it could call into question all historical research – a good example of this would be a historian in 100 years time reading an article in which Michael Jackson is discribed as ‘Bad’ or ‘Wicked’ words that today can already mean the exact opposite of what they meant 50 years ago.

    Tricky things, words. A character in Conrad’s Under Western Eyes calls them ‘the great foes of reality’. He has a point.

    This is part of the increasing (in my view) tendency of popular culture to appropriate and subvert academic or artistic movements and terms. Look at ‘minimalism’ – once it meant Gorecki, now it means only having one chair in your living room. People say ‘minimalist’ when they mean ‘minimal’.

    I’ve no doubt that the generally accepted meaning of ‘revisionism’ is as Doc puts it, the deliberatate subversion of accepted facts. Quite where this leaves us in terms of interpreting primary sources, I’ve no idea!

Viewing 15 posts - 976 through 990 (of 1,083 total)