Top Hole. Great to see a vintage aircraft getting back towards flight and coming back to life.
Fascinating. I just watched that film too, – very atmospheric. As a matter of interest – the Stirlings wing seems to look very much like that of the Sunderland. How much of the Stirling was shared with the Sunderland in terms of structure..? All the flying surfaces look very similar…
Did I imagine it, or was there a TV programme about an actual haunted aircraft in a museum? Something’s telling me it was the Lincoln at Cosford. :confused:
I’m not to sure that ‘actual’ and ‘haunted’ really belong together…!
PS;- Yes, it was the Lincoln at Cosford. Someone must have been at the ganja…
There must be something in this story, because a ghostly, malevolent spirit, looking frighteningly like Michael Hesletine was on the TV the other day, urging ever greater expenditure from our already skint Taxpayers, to fund the lunatic extravagance of HS2. Evidently our late PM should have gone-equiped with a large wooden stake and mallet….
Snoopy do you have an example of both the pre and post war logos? I am keen to track both down.
The post-war, as per Post No.1 above I do not, as I’m only focussed on 1934-’39.
The pre-war I do, on another PC currently in storage. Latter logos tended to get both the colours and the design wrong on restorations. The white is easy, and the dark blue hard to get wrong, but the ‘sky’ in the logo was actually almost Turquoise***, not just ordinary sky-blue. All the dark areas were the Dk. Blue, but the outer ring was actually gold-coloured. This, of course, doesn’t show in old black & white images – and there exist, to my knowledge, no colour images.
The waterslide-transfers were different for each Percival type, although the London Head Office address was the same for all, as was the rest of the design. They were marked either ‘Gull’, ‘Vega Gull’ et al, as appropriate.
This isn’t my personal opinion, but came from a pre-war member of the drawing-office staff at Percival’s many years ago who produced an annotated drawing.
*** I have a recollection that, unless one specified otherwise, the standard works-colours for Gulls & Vegas was Titanine Silver flying-surfaces, and a ‘blue’ fuz. (This ‘blue’ may well have been the same or very similar to that used in the Percival fin-logos pre-war.). Some of the 1930’s periodicals and sales literature showed coloured, printed imaged of this scheme (Look at the covers of ‘Flight’ and ‘The Aeroplane’ of that period.), and interestingly, it’s usually portrayed as a rather aquamarine-blue, even allowing for the vagaries of 1930’s colour-printing.
The logo in the photo above is neither the pre-war design nor the post war design, although closer to the former.
The logo in post No.1 is, I think, a post-war design. The pre-war version was quite different, and was White, Navy Blue, (Almost) Turquoise and Gold.
Simply shortage. The UK aviation industry was only belatedly getting up to speed with VP airscrews. There was also a shortage of CSU’s, and consequently, these were not fitted until some time in 1940 I think (When..?). Consequently, after the fitting of the VP airscrews, there was a somewhat unnecessary workload for the pilot, as well as reduced climb performance until the CSU’s were fitted.
‘Workers Weekend’
Apparently, it only takes ‘thirty hours’ to build a Wimpey…….;- https://www.youtube.com/watch?v=KVk1OP_LQH4
Nice idea. Chances of it happening….? Sadly, miniscule. Write to Bill Gates and Mark Zuckerberg…yer never knows though….. 🙂
Some really lovely images here. I’ve got a selection of prints and a few originals. As some have pointed-out, accuracy of shape can ruin an otherwise nice painting. (Although these image of Piotr’s show a lensing-effect put to very effective use…! Love them..!).
The other toughie is the lighting. Anyone who’s spent any time aloft knows that you can get some amazing and weird effects, yet in some paintings, whilst the shapes, the detail, the dynamism are there….the lighting can let them down.
Although my own favourite it Michael Turner, I’ve also got some much loved images from little-known artists. In all honesty, I’m stupefied by the sheer talent of these folks.
There was a hope from many on the Axis side that they could persuade the Allies to make peace, then after Barbarossa, join them fighting the Soviets. I think that overtures were made by the Axis on a number of occasions. Doubtless, the Allies were a little sensitive about this, perhaps not wanting to appear like they were dismissing attempts at ‘Peace’.
As for the Mail article;- ‘Hess was captured by the Allies in 1941 after he was discovered flying low over Scotland to see the Duke of Hamilton – a man he had never met – who he hoped would persuade Britain to the negotiating table.’ Well,The ‘captured’ and ‘discovered’ are rather an exaggeration. He got to where he wanted to be and bailed-out fully expecting at some point to be put into the hands of the authorities.
I was never convinced that Hess acted alone anyway. Either way, he clearly had enough fuel and oil to get where he wanted, so this ‘new’ information doesn’t really change anything. I wonder if there are still any sealed documents on this episode at Kew…?
More lovely photos…and it feels like Spring has arrived. Looking forward to visiting. 😎
There is almost nothing more pleasing than finding a badly described item in an obscure category. Watching it with few views and no bids before, at the last moment, it is highlighted here and shoots up in value. How one claps ones hands with joy…
Oh yes, how great it is to see those prices rocketing and nice to see parts being put to such good use propping-up bookshelves….
I really don’t mind aircraft being suspended, as it means more a/c can be squeezed-in so there’s more to see. It works fine as long as there is a nice elevated area to view from, such as in the big hangar at Duxford. As long as there is no permanent damage inflicted upon the airframes. As for loadings, these would normally be only a small fraction of what they were designed for. Even the more delicate airframes shouldn’t suffer in a warm, dry environment if the attachments are carefully located and the loads distributed, providing they were sound to start-off with.
The other big positive about hanging a/c is that one is often able to see them close-up from angles that would not normally be viewable. I get far more irritated by museums that are dark gloomy caverns.
I tied-in the Sun & Fun, with FofF, Stallion 51 and the MAM and many trips to Hooters……(;-P) We just hired a car and it took no time at all to flit between them. FoF was seriously impressive. The exhibits were immaculate and Kermit came out and flew the Storch. I was struck by the evidently vast amounts of funds invested in setting-up and running this large enterprise and the relatively small income stream. KW is obviously loaded, but even so – there are limits, so it seems he’s been struggling to offset some of those vast costs. Let’s hope he keeps interested and finds a way through the current problems. It really is an amazing collection – not just for the superb condition of everything, but for the fact that most of it is airworthy, which makes it a living museum, which, in it’s own way, makes it similar to the Shuttleworth Collection.