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Stepwilk

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  • in reply to: Secret collections #1031409
    Stepwilk
    Participant

    It’s no different in the art world. Some of the world’s greatest paintings, sculptures and historical artifacts will never again be seen by the public. Hard to say why such collectors value such privacy…particularly hard because few if any of us can speak for them.

    in reply to: Why blow-off landing gear on the Ju.87D? #1022651
    Stepwilk
    Participant

    Can’t imagine adding a somewhat complex, potentially dangerous pyrotechnic system to an airplane just because it was on the shelf…

    And by the time the Dora went into combat, it was a land war. The Stuka’s days as a ship-buster were over.

    in reply to: Why blow-off landing gear on the Ju.87D? #1035563
    Stepwilk
    Participant

    Can’t imagine adding a somewhat complex, potentially dangerous pyrotechnic system to an airplane just because it was on the shelf…

    And by the time the Dora went into combat, it was a land war. The Stuka’s days as a ship-buster were over.

    in reply to: Why the Ju.87's semi-floating flaps/ailerons? #1023703
    Stepwilk
    Participant

    Well, it’s not as though slotted ailerons were an option…

    I’m only pointing out that your assumption that the Ju.87 was “a heavy beastie to fly” doesn’t hold up in the real world.

    in reply to: Why the Ju.87's semi-floating flaps/ailerons? #1036844
    Stepwilk
    Participant

    Well, it’s not as though slotted ailerons were an option…

    I’m only pointing out that your assumption that the Ju.87 was “a heavy beastie to fly” doesn’t hold up in the real world.

    in reply to: Why the Ju.87's semi-floating flaps/ailerons? #1023811
    Stepwilk
    Participant

    I’d hazard a guess that the JU87 was a heavy beastie to fly

    Mustn’t make such assumptions. One RAF pilot, G. R. S. Mckay, who flew a captured Stuka a number of times, is quoted in Peter Smith’s new book “Junkers Ju.87 Stuka,” as saying the controls were so light that the “marked tendency was to overcontrol.” He characterized the flying characteristic as “excellent.”

    And Winkle Brown also had high praise for the Stuka’s handling.

    in reply to: Why the Ju.87's semi-floating flaps/ailerons? #1037021
    Stepwilk
    Participant

    I’d hazard a guess that the JU87 was a heavy beastie to fly

    Mustn’t make such assumptions. One RAF pilot, G. R. S. Mckay, who flew a captured Stuka a number of times, is quoted in Peter Smith’s new book “Junkers Ju.87 Stuka,” as saying the controls were so light that the “marked tendency was to overcontrol.” He characterized the flying characteristic as “excellent.”

    And Winkle Brown also had high praise for the Stuka’s handling.

    in reply to: Was there a German phonetic alphabet? #1027039
    Stepwilk
    Participant

    Well, I guess they thought some of the words we chose were pretty silly as well.

    Thank you for the quick and incisive answer to my question. It’s amazing how many arcane things I do successful searches for every day, and then it never occurs to me to do a simple one in this case.

    in reply to: Was there a German phonetic alphabet? #1040845
    Stepwilk
    Participant

    Well, I guess they thought some of the words we chose were pretty silly as well.

    Thank you for the quick and incisive answer to my question. It’s amazing how many arcane things I do successful searches for every day, and then it never occurs to me to do a simple one in this case.

    in reply to: Another Mossie restoration #1041387
    Stepwilk
    Participant

    Never ask a build like this when the first flight is…

    When I was building my Falco and people asked me that, as they inevitably would, I would say, “That’s like asking me when I’ll f**k Julia Roberts. It could be tomorrow, could be next week, could be never…”

    Stepwilk
    Participant

    A bit off-topic certainly, but it’s interesting that during their brief air war with the Luftwaffe in the spring of 1940, the Armee de l’Aire awarded a shoot-down to every pilot who participated in the downing of a German airplane, not just to the one who actually fired the fatal shots.

    The French ended up with a substantial number of aces as a result, and trying to figure out the number of German airplanes shot down by counting the number of claimed shooters was a fool’s game.

    in reply to: Recommended honest biographies / autobiographies #1042403
    Stepwilk
    Participant

    It’s not an autobiography but a collection of autobiographical accounts: “Test Pilot,” by Jimmy Collins. It was originally published in the late 1930s and reissued in 2008.

    Collins was a test, Army pursuit, airline and corporate pilot, though the lattermost was a job at the time called “private pilot.” He was also a sometime magazine writer. In fact he had decided to quit test-flying and try writing full-time, but he had one last job to do: dive-testing the Grumman XF3F biplane. On his last dive, last day of work, he pulled the wings off and died. Incredibly, he had written his own obituary (which is in this book) titled, as I remember, “I Am Dead,” about what he imagined it would be like to die in an airplane that came apart in the air.

    Collins might have become (almost) another Ernie Gann, had he continued to write.

    If you have a Kindle (or maybe any e-book reader), “Test Pilot” can be downloaded free as part of the Gutenberg Project.

    Stepwilk
    Participant

    they climbed onto the wing of the aircraft only to be utterly abused by Bader and were told to get there f’ing boots off his plane.

    I should hope so. Any lineman stupid enough to walk on the wing of a light twin ought to be fired as well.

    Stepwilk
    Participant

    Sadly, a great deal of “Reach For The Sky” is little more than fiction and I’m afraid that many books of the genre and period are even more so.

    In the U.S. during that era of Postwar aviation-“history” writing, one of the biggest names was Martin Caidin, a colorful writer with little repute as an actual historian.

    in reply to: Beech 18 #1048815
    Stepwilk
    Participant

    destroying the value of photographs as historical documents…

    Started, as I remember, in the early 1980s, when the National Geographic Society, of all organizations, altered a National Geographic Magazine cover to move the Pyramids at Giza closer together so they all fit on the cover.

    Huge outcry at the time–it was pre-PhotoShop but not pre-retouching–and the argument that you make was vociferously voiced.

Viewing 15 posts - 241 through 255 (of 515 total)