Chumpy: Infra-red for aircraft pics! Never thought of that. I did some landscapes with it once but love the really strong graphic quality of your ‘turbs’ shot. I usually had a Y2 yellow filter on my camera in Singapore and still use a polariser a lot-but infra-red beats everything if the subject colours are still believable.
Yes- hours in the darkroom were spent in those days. Developer, stop bath, fixer -all to be mixed and somehow kept at the correct temperature.
“Now then..say 8 mins at 70degrees in the developer, agitate every minute, out with that, in with the stop bath,..agitate, out with that ..in with the fixer. Now for the washing.” That’s forgetting all about getting the film into the developing tank in the dark! As for the enlarging…under that moody red light…all those test strips etc.
Atcham: They’re a good couple of pics.
John: Perhaps we need an ‘aircraft in hangars’ thread….just to underline the point that more hours are spent servicing them than are flying them!
I kept all my negs even though I wasn’t printing anymore thinking “one day I’ll build another darkroom”….but infact I’m pleased that computers and PhotoShop have changed all that, even though ‘a fine print’ made in a darkroom is still a wonderous thing.
D
l.garey: Atcham is right…it’s an amazingly evocative shot. The framing just works so well!
John: When I started to read about the Twin Pin being a ‘leaking sieve’ I thought you were referring to water (internally) as certainly the ‘single Pioneer’ had that reputation. Then I read on and saw the drip trays and wheel covers. Probably used as much oil as it did fuel then!
D
I was working for ITV in 1981 and was with an OB truck covering Charles and Diana’s wedding. As the crowds were gathering I noticed a guy in a mac who ‘danced’ about with a camera in his hand. It was indeed Cartier-Bresson, with his Leica. No sooner was in in front of me one moment, then gone the next! I’d never seen any photos of him but I ‘just knew’ that was him. I did later discover that was how he worked..seeing a picture in his eye and with his camera ‘pre-set’, he got it and disappeared almost before you knew you’d been taken.
D
Now why don’t I live somewhere like Duxford! Here in Bucks my locals are Denham or Booker but I go past Northolt when driving into ‘town’ sometimes. Lots of metal fencing and a busy road make Northolt not a very friendly viewing place though.
The biggest thrill at Denham for me is to see the butterfly tailed Bonanza housed there. Great sound too. Alas nothing truly historic but when you look at the age of most of the UK General Aviation fleet you realise they are infact damned old and have outlasted most military and civil types!
DT
That’s a really good Connie pic and could almost be by Cartier Bresson, the famous photo journalist who termed the phrase ‘the decisive moment’. He believed that the a ‘normal’ lens was necessary to give a natural viewpoint but wasn’t it Robert Capa, the war photographer who said “If your pictures aren’t good enough, you aren’t close enough.”
I also liked another photographers work Arnold Neumann, a portrit photographer who always included ‘just enough’ in the portraits to give them wonderful ‘context’.
see http://www.masters-of-fine-art-photography.com/02/artphotogallery/photographers/arnold_newman_01.html
DT
Atcham Tower: Lovely image that anyone can so easily ‘get’.
Thanks DT
A Gannet in a plastic bag! Perhaps it’s a method of preservation we should look into again.
DT
The ‘Threatening mood’ shot is very funny. Don’t see too much comedy in aviation photos so I think that’s ‘very special’!
When I see Avtars like yours ’24 Threshold’ I always want to know more…which ‘Runway 24’ in your case (there are so many 24’s in this part of the world)!
DT
John,
Are those Royal Ceylon Air Force Herons, in the background to your 1959 Hastings pic.
Would they be these guys?


They called a few times and it was always nice to compare them with the Royal Malayan Air Force Doves that also called.
David.
Keith: Thanks for showing us Colin’s pics. Any details of when and where?
David T
Graham…wow those a fantastic. Thanks
DT
Augsbergeagle: I like your story of the airline crew betting on the position of the nosewheel!
James: That’s a good pic of the C-130…I’m still hoping to be able to visit your website!!!
Scotavia: I see you made a business out of aerial photography-well done.
Do you fly in your own ‘adapted aircraft’, like a C172 with the door off?
AMB: Yeah I was lucky as everywhere in Singapore got more security concious in mid 1964. I’ve been reminded a couple of times now that RAF personnel weren’t allowed to photograph aircraft at all officially.
It seems that policy wasn’t as strictly applied on the Navy aircraft-carriers, as we all see lots of great pics taken (like the ones John Eacott has shown here) on landings etc board.
DT
Pete:
I would have loved to have seen that one..Comets are just so beautiful and the ‘long pointy nose’ on that one is very ‘Pinnochio’!

This is another research Comet from RAE XN453, which I believe is a Mk2…confirmation sort from experts there.
It’s parked on the ‘far side’ at Paya Lebar, Singapore in late 1963 whilst work was being done on Changi’s runway. The Comet 4 of BOAC is G-APDK.
216 Sqn at Lyneham flew C2s and C4s into Changi.The RAF Comets looked even ‘snappier’ than the BOAC planes, in their silver and white.

Like this.

Most of the C2’s had ‘day-glo’ on them, implying some ‘training’ role?
The most fascinating use of the Comets was with Watton’s 51 Sqn as detailed in this report , which a friend in Oz John Feltam has just reminded me about:
http://www.spyflight.co.uk/51sqn.htm
John joined 51 sqn in after serving at Changi and Butterworth.
David
“Did I take pictures anywhere else?”
Well in Singapore I went to the civil airport, then at Paya Lebar very regularly and there I had to suffer ‘being on the other side of the wire’.
So getting up above the equipment littering a parked aircraft could help.

I sneaked up the admin block to get this one of Brit 102 chartered to Malayan Airways being turned around. The Dak taxying out helps as well.
I also favoured night shots, luckily it got dark pretty usually at around 7pm in Singapore.
A great period as the new jets took over from the ‘big props’.

Cathay’s 880M VR-HFS with various passing lights. People in night shots were prone to become ‘ghostly’ if they moved during the time exposure. All guess work for exposure at night of course.
One of my favourite pics was a grab shot at RAAF Butterworth-‘up country’ in Malaya. My parents took us for a week’s break to Panang and although we trained up, we flew back when a 52 Sqn Valetta had some spaces.

As we exited the bus to walk to the Valetta – a magical moment (well I thought so!) as 3 Sycamores did a ‘run and break’, obviously frustrated that they weren’t flying the Sabres that were based there!
I returned to the UK and fell into the trap of getting a 300mm telephoto on an SLR and then my pics became, I think, lacking in any real feeling of ‘being there’. I lost the little story element that I love.
I did work for Anglia TV and we covered the B of B at Coltishall I remember so I look forward to starting to scan some of the UK pictures soon.
David
You could try asking on the PPRune Aviation History and Nostalgia Forum.
They recently had a Varsity thread that produce loads of great pics. There were none of cockpits but with so many ex-RAF aircrew there they must have a few tucked away.
DT