dark light

Dave Homewood

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  • in reply to: RAF Museum mess #1797805
    Dave Homewood
    Participant

    Doughnut, Yes the spotlight does look bad in that photo. I agree. But the photo makes it look worse than it is in reality because there was a fairly long exposure on the photo causing the flared look. When you’re actually there in the museum you don’t notice any glaring lights like the photo shows. When the museum was set up there was absolutely no photography allowed at all, so it has to be remembered that they obviously didn’t set up the lighting with photographers in mind and that effect the light had on my photo is something they would never have considered. On the most part, the museum’s lighting is very condusive for non-flash photos in any case.
    When you’re actually there you are not presented with harsh glaring lights, not that you would conciously notice anyway.

    I think their lighting set-up gives a moody, nostalgic feel to the aircraft. It is more artistic, and the darkness around them disguises the hangar walls and ceiling, giving an effect that each aircraft is in a little space of its own away from the ‘hangar environment’ and the lighting draws you into each vignette in a really different way from how you’d see the aircraft in a fully lit space.

    I think the darkening down of the RAFM Bomber Command hall has attempted some innovation along the same lines, but it would work a lot better if they set up the spotlights better to create a more dramatic effect, like in the RNZAF Museum and in the Australian museum where they’ve done the same with their Lancaster.

    One thought, I wonder if the museum would consider setting up a ‘photographer’s hour’ each day, where say at 9am-10am they turn all the lights on and allow the tripod-bearers to go for it. The mad keen photogs could get their shots in that advertised hour each day, and after 10am the lights could be dimmed again. Just a thought. Maybe one of you could suggest it.

    Ashley, thanks for your thoughts. It is interesting that some big museums allow in sunlight, and I really wonder if many museums consider the issue of UV light as irrelevent. All museums have different policies and philosophies despite how much information is available to them. All I can say is what I wrote earlier is what I was told about the RNZAF’s policy, and I guess that their policy might well be overkill in other museum’s opinions. Maybe they’re all aware of UV effects but consider the effects are not worth doing anything about as they are so gradual.

    Some of the RNZAFM’s spare planes that have been stored in hangars lit by both artificial and natural light for a couple of decades do look decidedly faded – the Bristol Freighter is one which went straight from service to the Museum. So its paintwork would have been pretty much ok when it got there as they usually select the best example to preserve. But the paintwork looks decidedly shabby, and has faded considerably. It actually looks like it has had a bit of outdoor storage but I don’t believe that is the case at all. (can anyone argue/correct this?). Whereas planes in No 1 hangar, the main museum, look as good as new after 17 years in that environment.

    On the aircraft mentioned as deteriating at Duxford, aircraft can be stored outdoors for a considerable time. Yes they do deteriate over that time, but they are always repairable and restorable. There is no need to scrap them. If they can rebuild Hurricanes, etc, that crashed 60 years ago to flying, etc., you can restore a largely complete plane that has been stored outside to static condition.

    A curator at Motat in Auckland recently pointed out to me that aircraft are meant to be stored outdoors. That’s what they’re designed for. Hangars are mainly for maintenance, not storage. Just the fact that the storage does some harm doesn’t mean it cannot be rectified. Motat’s Solent and Lancaster are very good examples. They were outdoors for decades, and were in a much worse state than the Duxford examples – particularly because they were in sea air and humid wet Auckland weather. Now both are restored to immaculate condition and will remain so since they’re now inside and cared for. The Sunderland has been outdoors for over 10 years more than the Solent and is worse, but it too is now being restored. That plane literally had grass growing on it, but in a year or so I believe it’ll look as good and be as structurally as good as when it arrived there in the 1960’s.

    Those B25’s seen recently on here are another example. Many here showed outrage and there was talk of scrapmen soon, but I thought, “They’re not as bad as some I’ve seen that are now back to pristine after some TLC.” They can be restored, anything can.

    So don’t despair, yes it is sad and annoying that the planes are allowed to deteriorate, for whatever reason (and it is usually lack of funds), but they can be rectified. All you need is the right people with a vision and the money. Perhaps all who are so concerned should band together and form a restoration or fundraising group yourselves if you can. Whatever happens, in this day and age there is no need to scrap them, that is the real crime, not the fact that they got into such a state.

    Andy, I would be disappointed if I made a special trip to any museum and found it closed. But then on both my trips to the UK this exact thing happened in many places, which really did pee me off. You see something in a guidebook or brochure, make the trip to it (usually costly on a train) and find it’s closed. Lots of Brits used to joke about coming to New Zealand on the weekend and finding it was closed. Well Britain closes most of its its tourist attractions for the whole winter it seems!! 😡 😡

    in reply to: Aircraft in The Thin Red Line #1798054
    Dave Homewood
    Participant

    Thanks Matt,

    I never realised one was a Wirraway. A great pity about the accident, I wasn’t aware that one had even crashed. I’m very sorry to hear it.

    Both the Wirraway and the Harvard made quite credible stand-ins for Dauntlesses. I’d love to see a Pacific film with real ones in though someday. I think there are now more than one flying too are there not? I know the CAF one is ex-RNZAF.

    Cheers
    Dave

    in reply to: RAF Museum mess #1799504
    Dave Homewood
    Participant

    All I can say is it was explained to me by a good mate on the RNZAF Museum staff at the time that I lived there that the lighting can affect the artifacts. His job meant he was responsible for such matters, and he knew his stuff, having studied the mistakes and triumphs of many other museums round the world.

    According to what he’d found out from various studies, the interior lighting can indeed damage artifacts, albeit very much more slowly than flashbulbs and sunlight. It makes sense to me, UV damages almost everything. Yes UV from sunlight more is damaging, but think about it, those planes simply sit all day under hot lights blazing away for probably up to ten hours. Add that up over the years, and you’re soon going to have to do some repainting and repair. Paint, like almost everything, breaks down under UV eventually.

    And remember, a museum is in the game for the long term, not just for the two hours you’re there with your camera.

    Where’s our resident museum plane duster offer, maybe she can offer some thoughts????

    As a small aside to this…Most aircraft hangars, certainly in the military anyway, use both flouro and sodium lighting, the former being very bright but the latter being constant to counteract the former’s flicker, preventing people walking into moving props synched with a stobe flouro light. How many museums do we see in ex-hangars using flouros, quite a few. They are much worse than other types of lighting I’m told. A hangar filled with flouros reaching every point in the room with its light is certainly more damaging than strategically placed spotlights, as you’ll see below.

    Also I want to say that I think that the backdrop of wartime London behind the German stuff in the BofB hall looks great by the way, much more innovative in the display of the planes than when I visited 11 years ago. I was rather disappointed in some aspects of Hendon’s displays when I went there, though the fact that I was seeing the awesome collection at all was overwhelmingly more important and outweighed the lack of creativity in some of the displays. I do wish they’d ditch the fake grass blast pens that the Spit and Hurri sit in though, they look like an Airfix set.

    Here is an example of the RNZAF Museum, taken hastily by me with my rather old non-digital camera on a rickety tripod without a flash… just to give you guys an idea of how it is lit in the main hangar.

    in reply to: Aircraft in The Thin Red Line #1799693
    Dave Homewood
    Participant

    Thanks Oscar,

    A good deal of the film was filmed in the Solomons, but as soon as you said Cairns I remebered reading somewhere while it was being made that the Harvards were Aussie ones, so it makes sense that some scenes were filmed there. Well, that clears that up, they’re fakes.

    Cheers
    Dave

    in reply to: Aircraft in The Thin Red Line #1799824
    Dave Homewood
    Participant

    IMDb says the sets were by Richard Hobbs and Suza Maybury

    Ring any bells? Not with me

    in reply to: RAF Museum mess #1799843
    Dave Homewood
    Participant

    I can’t recall from my 1993 visit but… Does the RAF Museum allow flash photography? I hope not. That is so much more damaging than the fixed and constant interior lighting to paintwork, canopies, fabric and also paper.

    The RNZAF Museum used to ban photography all together and actually confiscated cameras. After some years they changed the policy but it is strictly non-flash for two reasons. One – the protection of the artifacts, and two – the distraction it causes to the other customers.

    From the beginning the RNZAF Museum has adhered to careful regulations with their lighting. Apparently scientists were consulted as well as museum workers and curators from round the world so they would get their mix of lighting right for both the punter and the preservation. The result was that their museum is very much darker than the RAFM to help preserve their exhibits, but it is done in a very good way because they got a theatrical lighting company to position a limited number of lights that enhance every aircraft on display. The result is fantastic and has helped them win many awards.

    Though the hangar overall appears dark, each aircraft is perfectly lit. You do not need a flash for good results, just a tripod, which you’re welcome to use. If you are caught flashing, they remove your camera till you leave. I think they’ve got it right, and many other museums could benefit from taking a leaf out of their book. My recent visit there proved that the paintwork and all the exhibits looked as fresh as they did when I lived there in 1991-93. I guess this policy also helps on building maintainence too, the paintwork, curtains, etc won’t fade as fast.

    Personally I think the RAF Museum has a brilliant collection, and they do a wonderful job. You Brits are all very fortunate to have such a facility that is so accessable and works so hard to preserve the aviation history of the RAF. Their main purpose is not to provide the perfect situation for photographers, they’re supposed to be preserving the planes and artifacts for the furutre generations. If that means low lighting, good. Imagine the costs involved if all the aircraft had to be repainted and re-glazed regularly.

    Also, the museum may feel that if you want a good photo, you can buy one in their shop – many museums have that policy – which is fair enough as it’ll raise revenue. Even so, Robbo has proven you can get results with perserverance anyway, but I suspect that may have a little to do with his expensive camera.

    And who cares if they really are just trying to save money on lighting, it means that money will go elsewhere into the museum. That’s better than having them go bust and seeing the collection split iup because their electricity bill got too high.

    Maybe if many of you are still unsatisfied with the light situation, the forum should start and appeal to help them out. The RAF Museum Lighting Appeal. (like a wartime Spitfire Fund). You could put adverts in Flypast, run raffles and collect donations at all the airshows you guys go to, and have your own forum stand. 🙂 Just a thought. I’m sure the museum might appreciate the assistance.

    in reply to: Aircraft in The Thin Red Line #1799882
    Dave Homewood
    Participant

    No I don’t think they were flats, or at least not all of them, though that thought had crossed my mind too. But they are not ‘that’ far away from the camera and at least one P39 seems 3-dimensional and realistic. There are people beside it and it looks right.

    in reply to: R.A.F Pilots who played Football ? #1801726
    Dave Homewood
    Participant
    in reply to: R.A.F Pilots who played Football ? #1801748
    Dave Homewood
    Participant

    How about this chap?
    http://rogerbeckwith.members.beeb.net/dcs/rowe.htm

    And this chap
    http://www.bantamspast.co.uk/TheGloryFades/cityheroesofworkeeling.html

    Here’s a link also to Stanley Matthews
    http://encyclopedia.thefreedictionary.com/Stanley%20Matthews

    Just a thought, maybe these chaps could come up with some names – the RAF Football Referee Association
    http://www.footballreferee.org/web/raffra/

    Dave Homewood
    Participant

    Try listening to these BBC programmes on the subject

    http://www.bbc.co.uk/radio4/science/xfiles.shtml

    It’s funny how it seems much more plausible when the BBC presents the story, than if it were the usual American sensationalist nonsense documentary about UFO’s and aliens, 😉

    in reply to: London And The Future – seaplane airport?? #1806090
    Dave Homewood
    Participant

    Cheers Moggy,

    That’s an interesting point that they still thought there would be an Empire. I guess such a water-port would have been a good idea at the time. I also guess there were a lot of plans in those years of converting all the Sunderlands and other seaplanes to airliners and freighters after the war.

    I agree that the Russians have some very good ideas and are leaps ahead of the west in seaplane technology. Those ‘planes’ that skim along the surface are awesome. Have any actually gone into service yet? Or are they still being tested?

    I saw the more conventional jet powered Beriev Albatross flying boat they brought to the Auckland International Airport “Air Expo 92” airshow in 1992. They displayed it very impressively and were hoping to get some sales for the model in the west. I think it actually did a whole world tour. That flying boat was fantastic. At the time loads of punters predicted they’d be great for operations in New Zealand as our four main cities and many others have harbours. Sadly I’ve never seen one since anywhere. I wonder if they sold any abroad.

    Here’s a link to the one that came here
    http://www.kiwiaircraftimages.com/beriev.html

    I personally would love to do an international flight in a flying boat. If it cannot be Motat’s Solent (which is sadly grounded forever 🙁 ), I’d be happy to do it in the Albatross.

    in reply to: Freaky airship mystery story #1806240
    Dave Homewood
    Participant

    Well I very much doubt that the New Zealand airship sightings had anything to do with military developments in this country. There was no such thing as military aviation in New Zealand till 1913 when we were gifted a Bleriot 11, called Britannia, and even then, and right up till 1937 the NZ Govt were miserable as heck about spending any money on military aviation. (Just like now really.)

    There are two possibilities – the airship was being operated by a foreign power such as Germany, Japan or Russia for survey or spying work. The Japanese were spying from ships round this region and Australia in the 1920’s and 1930’s, and they flew a plane over NZ in the 1940’s too.

    Or it was a secret private development. Many people believed the latter and a massive search of the Dusky and Blue Mountains was made to find the airship’s hideout, but they found nothing but a stack of empty petrol cans, which in itself might not be connected, but may have been. After all, Richard Pearse developed and built several aircraft in total secrecy and obscurity, perhaps someone built an airship too. But I doubt it had anything to do at all with the NZ government or military.

    in reply to: JDK…MIA #1810096
    Dave Homewood
    Participant

    Perhaps James is in a rowboat making his way staedily across the Pacific after hearing a certain Walrus may be coming to New Zealand. 🙂

    in reply to: Oshkosh shots #1810119
    Dave Homewood
    Participant

    Wow, lovely photos, thanks. Boy oh boy the Americans love their old aircraft shiny, don’t they – and they look fantastic. 🙂

    What is the shiny silver 1930’s airliner with a top turret? Is it a Lockheed or Beech of some sort? Seems odd to see an airliner with a turret.

    in reply to: Triplane air to air #1810152
    Dave Homewood
    Participant

    In a couple of years the Memorial Flight will have Dr1 wth a 130 Clerget, Morane AI with a 130 Clerget, SE5a with a 180hp Hispano, SPAD XIII with a 220hp HIsso and a DVII with a 185 BMW. Are we going to have fun?
    Melv

    Which Memorial Flight? :confused:

    You surely can’t mean the BBMF? Is there another Memorial Flight then? 🙂 😉

    You mention the SE5A and Snipe becoming standard British fighters. It’s funny, when I think of World War One British planes I always think of the Avro 504K and the Sopwith Camel and Pup. They were also pretty standard were they not?

    Actually I lied a bit there, the first thing I think of is actually Blackadder and Baldrick arrsing about in some of the RFC’s finest! Then I think of the real RFC and their planes. (Adrian Edmondson played the greatest depiction of Richtofen I’ve ever seen!!) 🙂 😎

Viewing 15 posts - 4,066 through 4,080 (of 4,847 total)