Interesting Al, thanks for that … three thoughts:
– if it’s a viewing facility, it doesn’t look very large, I wouldn’t have thought the view would be of any great value
– if it’s supposed to be a viewing facility, why not just insert a rectangular window?
– if it’s a chute, why perspex?
All very odd
ps. I was thumbing through a 1998 FlyPast last night, it contains a photograph of Lanc nose sections on the production line somewhere, and there’s a mixture of tall and short cockpit observation domes, seemingly randomly across the couple of dozen nose-sections in the photo. Obviously all being built contemporaneously, and presumably all one mark (I or III). I’ll see if I can scan it and post it here.
EDIT ~ pic scanned and posted ~ see post #40 below
Some believe we “suspected” something was up
3 posts in a row in my own thread? Sorry, but I couldn’t help it … I’ve become fascinated by this Schräge Musik puzzle. How could we not have known?
I found this website of the 207 Sqn RAF Association, with this particular article possibly compiled by Frank Haslam (as he is the Website Editor). Do read it.
http://www.207squadron.rafinfo.org.uk/wesseling/wesseling_schrage_musik.htm
There are lots of quotations from secondary sources (various authors) including …
Bill Gunston (Night Fighters – A Development and Combat History) and Martin Middlebrook (BCWD and The Nuremberg Raid) both quoted at length re. the phenomenon of scarecrows (mysterious explosions in the bomber stream), and the ease and accuracy of Schrage Musik vis-à-vis ‘von unten hinten’ … for both inexperienced crews and experten. Gunston: “The result was that RAF heavies began to blow up, catch fire or break into pieces for no obvious reason. Many of the early such incidents, often witnessed by a score or more of the other aircraft in the stream, were put down to flak; but it often happened when flak was light or non-existent.” Gunston again: “all the NJG experten were using SCHRÄGE MUSIK as their primary armament by December 1943”
And again: “In theory (of course) these attacks should have been spotted on the FISHPOND display. This used a second cathode ray tube to show bearing and range of any echoes from the H2S emissions at intermediate heights below the aircraft and gradually replaced MONICA. For some months, the Germans were able to use SCHRÄGE MUSIK without Bomber Command apparently being aware of it. This rather surprised the Germans who expected that the civilians working on their airfields in occupied countries would sooner or later get details to the Resistance and hence to England.”
And again: “not until well into 1944 did the RAF at last tumble to what was happening and then only by a lot of hard thinking after studying the very few bombers that had, by great good fortune, managed to break out of the rain of shells and bring back to Britain evidence of air to air strikes all at the same near vertical angle.” He says “I happened to be at Manston in early 1944 and woke to find a damaged Lancaster outside. One prop was feathered and there were marks of several 20mm strikes, at least one of which had gone clean through the rear fuselage. It had blown a great hole in the top and made a mess of the four ammunition belts for the rear turret, but what shocked the crew was the angle. They were Australians and seemed to think that this was renewed evidence of a Luftwaffe secret weapon; tales of strange upward firing nightfighters had begun to get about.” “This strangeness was itself very strange because oblique upward firing guns had been common in WWI [refers to Captain Albert Ball], tested in several RAF aircraft between the wars and experimented with at great length with RAF nightfighters – mainly Havocs – as recently as 1941. I believe that none of the upward firing Havocs carried cannon, a typical armament being six oblique Browning .303s.”
Then Francis K Mason (The Avro Lancaster) is quoted: “In two raids at the beginning of January 1944, losses had increased sharply and it was clear that the German nightfighters were taking a much more prominent role. Losses in these raids were primarily among the higher altitude aircraft, suggesting that flak was being limited to the lower levels so as to give the fighters free rein higher up.” “A study of crew reports began to show that attacks were coming from directly below, though it was not clear exactly how this was being done. Some squadrons equipped with Lancaster IIs, armed with ventral guns, had begun to remove these as being superfluous weight – but this was stopped until the nature of the new German tactics could be assessed.”
And Bruce Barrymore Halpenny (To Shatter the Sky). “It is strange that Bomber Command did not know of the Schräge Musik method used by the German night fighters and just proves how bad their intelligence was.” “One or two Canadian COs, one being Wing Commander Pattinson of 429 ‘Bison’ Squadron, knew there was something but it was all presumption, not fact. They took out the Mid Upper turret and the displaced gunner lay on a mattress on the floor and looked through a perspex blister for night fighters coming up from below.’
———-
So we have a possible timeline …
WWI usage
RAF trials in Trials in early 1941 – using Havocs ??? Yes/No/Maybe?
Luftwaffe trials from late 1942 – thread http://forum.12oclockhigh.net/showthread.php?t=5415
Operational use in late Summer of 1943
Widespread by the end of the year
RAF noting a new tactic from January 1944 (if you accept Mason) or anyway during 1944
Some individuals acting on presumption something was up. Yes/No/Maybe?
But … nothing being done officially. Freeman Dyson stating we didn’t know (until after the war?).
————-
All in all it’s a good précis of a number of reasonably well thought of secondary sources; good reading. The link again …
http://www.207squadron.rafinfo.org.uk/wesseling/wesseling_schrage_musik.htm
Freeman Dyson
James … I just read that article you reference above. Fascinating stuff.
It is interesting to note his point about two critical clues that were overlooked:
– that experience made no difference to loss rates … whatever it was that was shooting down bombers, it affected both experienced and inexperienced crews alike
– and the interviews with evaders … the majority of whom knew nothing about their attack/attacker
Something was shooting down bombers completely without warning.
And as to whether the RAF ever knew about it he states: “Schräge Musik … efficiently destroyed thousands of bombers, and we did not even know that it existed. This was the greatest failure of the ORS. We learned about Schräge Musik too late to do anything to counter it.”
So we still have the same puzzle, even a contradiction in Dyson’s words … we did not even know that it existed … versus … we learned about Schräge Musik too late.
What does this mean …. the RAF found out after the war? Or perhaps sometime in 1945?
Schräge Musik
Going back to Schräge Musik for a moment (Don, did you “pull” your supplementary thread cos I can’t find it?), a number of questions have occurred to me … mostly to do with Bomber Command’s ignorance of Schräge Musik.
Yes Al I did pull it. DaveM2 suggested I should try 12 O’clock high and after fluffing about a bit I re-discovered I am registered there too 😉 .
And sure enough, there’s a bit of discussion there … but much as here, not yet clear by any means. Take a look at this thread (to which I have added a query).
http://forum.12oclockhigh.net/showthread.php?t=5415
cheers Don
I must also update my database on “known” Lancasters in published photos. It’s what started off my contribution to this thread, being able to locate photos for Don.
Good man !!! I was on the verge of “bumping” this thread back on topic, notwithstanding it really is very interesting in all its meanderings.
I would have thought that the vast majority of night time shootdowns by Luftwaffe nightfighters against RAF Bombers fall into the category of “without any warning”, whether from the rear, underneath or any other direction?
Undoubted 682al. As you say, it’s more-or-less a given that the majority of shootdowns were unseen. My point, perhaps ill-made, was that the recollections/memoirs/whatever of both the pilot of the Lanc (Cox) and the nachtjager (Jung) are present in the account in Hinchcliffe’s book and we have Cox failing to mention anything to do with the method of attack (“without warning”) and Jung noting that a number of his attacks that night were Schrage Musik. All this does is mildly support, but far from prove, James’ observation or query.
But I believe James is right, that the RAF never put two and two together on this one. Sure a few aircraft arrived back at base with ‘angled’ bullet holes in them, but did no one wonder about that more than to say “gee, they got shot at from underneath”? Bear in mind there were only a few survivors to study; Schrage Musik was an extremely lethal weapon.
Interesting … did the RAF realise about “Shräge Musik” before the war’s end? I thought that the cause of those losses was never realised.
Hi James, as you say interesting indeed.
In another thread http://forum.keypublishing.co.uk/showthread.php?t=67099 I briefly quote Peter Hinchcliffe from his excellent book “The Other Battle” regarding Schräge Musik.
Reading further into the tome, he notes when discussing a raid in April 1944 that: “In the latter months there had been an increasing number of reports of these ‘scarecrows’ from bomber crews, a new phenomenon – violent, flaming explosions in the vicinity of the bomber stream. These were, it was firmly believed, special shells fired by the Germans that were intended to simulate aircraft exploding and so deter the bomber crews. The irony is that the Germans had no such devices; what the RAF aircrew were seeing were actual bombers exploding, in all probability victims of night-fighter attacks from below with the so far unsuspected Schräge Musik.”
And towards the end of the book he quotes from an interview with F/Lt John Cox piloting Lancaster PD393, UM-N2 of 626 squadron re. events occurring on the 16/17 March 1945 raid on Nuremberg. The quote is lengthy and includes the statement: “Without any warning we were attacked from underneath and set on fire in the centre section.” The aircraft was shot down in flames, Cox and two others (bomb aimer and rear gunner) surviving by bailing out. They were shot down by Oberleutnant Erich Jung and his crew of JU 88G-6 620045 4R+AN. That night Jung and crew destroyed eight Lancasters but were themselves damaged (and obliged to land) by fire from the rear turret of their final victim. Hinchcliffe notes: “Jung shot down some of them with his Schräge Musik, some with his forward-firing guns.”
My point, rather lengthily made LOL, is that even in March 1945 we have a RAF pilot showing no indication of suspecting Schräge Musik he simply notes he was attacked “without any warning”.
Whilst far from proving the point, it adds a little to your observation James.
On another tack to the same end … what about the JU88 night-fighter that landed in Scotland, was it in 1943? I take it that aircraft was not equipped with Schräge Musik?
so there are some distinguishing features then?
Thanks for that 682al.
Some time ago I picked up a book from the local library; a large size hardback, it had all sorts of production information on all Lancasters built. For the life of me I don’t remember what that book was … if I did I’d go back and borrow it again!
EE147 (and I’m guessing EE146) was initially delivered to 617 squadron (hence wearing AJ-L coding for a while) sometime in May 1943. I speculated (still do) that it was a fill-in machine to make up numbers following the heavy losses on the Dams Raid ~ did that sort of thing happen? It was in standard night bomber configuration, not a special of any sort.
Not long after EE147 was transferred to 619 sdn, IIRC my Uncle flew in it as early as June 1943.
Chances are EE146 and EE147 would be identical and as you say probably as per EE139.
Any chance you can scan and post, or point to online references of those photos you are referring to?
Many, many thanks, Don
And one of the best cars I ever owned was a PUG.
LVMH is very much focussed on the top end of discretionary income ~ so incorporating Aston Martin is a perfectly reasonable brand association. But I wonder about a stand alone car company these days ~ the millions (or is it billions?) needed for new model development is quite an ask.
And one of the best cars I ever owned was a PUG.
LVMH is very much focussed on the top end of discretionary income ~ so incorporating Aston Martin is a perfectly reasonable brand association. But I wonder about a stand alone car company these days ~ the millions (or is it billions?) needed for new model development is quite an ask.
you need a steak
… a fish steak that is Steve! Best BBQ fish IMO are Swordfish, Marlin or Tuna. Touch pricey, but fantastic seared really hot and not overdone. Serve with salad as you say.
you need a steak
… a fish steak that is Steve! Best BBQ fish IMO are Swordfish, Marlin or Tuna. Touch pricey, but fantastic seared really hot and not overdone. Serve with salad as you say.
Head in the Clouds
Found it – not a bad movie, generally pretty good, featuring Charlize Theron and others. Plot as above.
Another similar film?
Trailer looks good. I fairly recently (last year or two) saw (on TV or DVD) a very similar film, by which I mean similar plot … female (American character if I recall correctly) initally just interested in a good/comfortable life no matter the circumstance look after herself turned and began to spy for the English, in Vichy France, cozied up to the Germans, and right at the end of the movie was executed by the resistance as a collaborator. Meanwhile her one true love is trying to get to her, etc. Anyone know the one I mean?
edit – more – The film starts out around the time of the Spanish Civil War, featuring three main characters (a guy and a girl who are both lovers of the American character mentioned above – yes she’s bi, or frankly, omni-sexual) then there’s death and heartache etc, and going separate ways, ‘x’ years later the guy and the American female meet again in Paris, the war is on, he’s now an Allied spy, and so it goes as I mentioned above.
but wait there’s more
A quick Google finds this thread on ww2aircraft.net discussing 110-G4 armament
http://www.ww2aircraft.net/forum/aircraft-requests/me-110-g4-armament-5601.html
It doesn’t answer your specific queries PhantomII but touches on them, and there’s a guy there named Erich who says “I have the official Bf 110G arms handbook with blue cover covering all the nose and belly arms details”
You could join that forum and pm him – and get your answers I reckon