You heard it here first đ
Jon
Very Nice – looks like it should do well! đ
Taking newly acquired pit to said event đ
Jon
Apologies if I have missed it elsewhere Jon; but might I enquire what is your latest pit? đŽ
đ The 10th Cockpit-Fest http://www.newarkairmuseum.org/newsItem.php?id=39 đ
I was in Newark Air Museumâs shop this morning when I learnt that the November table top sale has now sold out â 20 tables gone; sadly they had to turn someone down who had just telephoned in for space.
This information is confirmed on their website http://www.newarkairmuseum.org/newsItem.php?id=44
Fingers crossed that they get a good turn out of buyers on November 22nd; another whisper is that they may repeat the format in February 09.
To be honest I am not fully familiar with the preservation scene in Australia and thatâs why I wouldnât like to comment on the detail being discussed or indeed individual airframes. The few aspects that I have commented on are more background themes and principles.
I guess that globally the independent museums face some similar challenges to the centrally funded museums, especially with regard to getting everything under cover and my views on that topic are well documented.
However I believe that the real difference might come in terms of âsense of ownershipâ. In an independent museum volunteers might be a lot closer to the airframes and perhaps might have a greater appreciation of what was financially and physically involved in securing a particular airframe.
Sometimes this is to the point that there might be a greater reluctance to move an airframe on elsewhere if it is beyond their skill sets to look after it properly. This can also lead to other issues because as those volunteers change and the skill sets become different then something that originally wasnât attainable may become so.
Another strong feature in the UKâs independent museums sector is third party ownership, where individuals or other groups have airframes on loan with museums. This can cause friction and âsub-lettingâ issues, which are difficult and time consuming to manage. So the drive to ensure that appropriate loan agreements are in place on everything has been very important.
Glad to be of assistance – but it’s a lot of detail required if you are modelling it! đ
Sadly I am slowly coming to recognise that perhaps BAPC is not as effective as it should be.
The reason for my questions is that in the UK current accepted Collection & Disposal policies would require that any airframe is first offered to other registered / accredited groups rather than to the private sector. Thus the perceived âcash windfallâ to pay for a building might not be as forthcoming.
I understand that the museum where I volunteer has literally just this week achieved accredited status and Iâm told that the expected Collection & Disposal criteria are much more stringent than before.
As far as the lack of enthusiasts or volunteers and an aging group of volunteers, this seems to be a common problem across the globe.
The views expressed about getting down to the local museum echo my own often stated view â âwherever you are in the world support your local air museum!â
I believe the airframe was an F.1 WT619 – not much history for you; although I did hear a whisper earlier in the week that it had left [or was leaving] for Cosford along with the Sycamore.
Would their constitutions; collection and disposal policies allow them to sell off exhibits as suggested?
In some cases selling off the âsilverwareâ might not be permitted other than to recognised bodies. Does Australia have a museum registration / accreditation system like here in the UK?
:diablo: Will it be at Cockpitfest 2009?? :diablo:
Bump! :diablo:
*tubleweed blows through* …
Could this be why? http://forum.keypublishing.co.uk/showthread.php?t=83750&highlight=Lightnings :confused:
A couple more heading for Newark.
James did you see this Newark event?
According to Newarkâs website 15 tables have now been booked for the sale!
Also noticed it’s listed in the new edition of FlyPast.