I don’t know anything specific about Meteor engines…..but my guess is it probably isn’t the timing.
Unless you’ve been tinkering around an engine and disturbed something, ignition timing doesn’t usually change on its own and when it does it either doesn’t move much, in which case you hardly notice it, or it moves a lot, in which case the engine is difficult to start.
Could still be ignition related though; does your engine have magnetos?
Yes it does and no I havent touched the timing
Graham.
Look at the date the thread started. At the time it wasn’t tongue in cheek, I was asking a serious question in light of some heated arguments in the preceding weeks.
As for lighting the blue touch paper and standing back, isn’t that how you start the tank engine in your model?
Regards,kev35
LOL:) no offence intended thought you might have a sense of Humour sorry seem to have misjudged you. Actually the model and the tank engine are remarkably civilized apart from the noise after all I guess it’s a Rolls Royce so it’s got some class 😉
Recent events have got me thinking and I realise there is a substantial gap in my knowledge regarding Aviation Archaeology and wreck recovery. As I sit here, with my limited knowledge of this particular subject, I admit to being fairly entrenched in my view that it is only valuable when human remains are to be recovered for identification and burial or, just perhaps, if the airframe to be recovered is extremely rare.
Leaving aside the contentious issues regarding the final destinations of any items recovered, or indeed, the possibility of any payment received for them, can anyone explain the value of this activity? What is the reasoning and rationale? In the meantime here’s a few thoughts……
Can a few corroded lumps of engine and airframe portray the history of a particular type or airframe to any great effect?
Is the recovery of parts useful to the restoration movement in that it may provide patterns or templates where no parts, or possibly even drawings, exist? (Thinking about extinct types such as Manchester, Stirling, Whitley et al.)
With the massive upsurge in historic aircraft which are now airworthy, is Aviation Archaeology as relevant now as it was when there were fewer aircraft airworthy or restored? I,m thinking back to when you couldn’t see ten Spitfires in the air at once and that the sight of a battered Browning or mangled Merlin was as close as one could often tangibly get to a Spitfire for instance.
When Cosford was in its infancy as a Museum, and I were a lad, there was a significant amount of remains displayed by a group from a number of crash sites. Not talking about this group in particular, but, do those groups who display such material have any policy as to what happens to those remains or any donated material in the same way as a Museum should? Or is it all privately owned.
[B][COLOR=”Red”]Not trying to be contentious here, just asking a few questions to help me understand and appreciate the purpose of this activity.
Regards,
kev35
[/COLOR][/B]
Kev
Isn’t this thread a bit tongue in cheek? Surely being an active member on this forum for a long time you must have seen the rights and wrongs of this activity debated at least half a dozen times and even made a contribution yourself? Its always a pretty contentious issue everyone has strong views. Surely this a case of light the blue touch paper and stand back? 😉
I wonder if it would be cheaper to license a version from one of the compliation CDs of film themes? I got one from Amazon.com that had a huge selection of war film music including BoB and Dambusters. (I was looking for a version of Jerry Goldsmith’s theme for In Harms Way . If the soundtrack was ever released, it was long ago and no longer available.).
They are usually performed by other orchestras, and are not from the actual soundtrack. You can’t tell the difference by listening to them.
It might be charper too go that route.
Do you mean buy the right to use the LP as apposed to the single original sound track?
If you are doing a small run then:
http://www.prsformusic.com/users/musicforproducts/LM/Pages/LM.aspx
Thanks Chris
I have emailed above link to check that they represent Ron Goodwin who wrote the original track, its seems if they dont they cannot sell me the rights to reproduce it. Thier rates arent outrageous £125 for up to 500 copies if used on a DVD where the sound track is secondary to the film.
I also found a website for Ron Goodwin http://www.rongoodwin.co.uk/cat.htm
and have emailed them for a quote.
I am a bit confused about the other option, if its modified in some way, its cheaper?:confused:
I am putting an original voice over and the BOB will play in the background does this mean I have modified it and I can use it without permission?
I just got back from attending an Airshow over here in Canada and they played the B OF B theme song a few times over 3 days.
I doubt anyone will go after them but if it is owned and you use it on DVD’s that you will sell, I am sure it will get someones attention eventually
Thats what i figured, dont want to get sued for copyright some Woman in the US got a $19,000,000 law suit for sharing 19 tunes.
These are the awfully nice people who will take lots of your money the honour of using the track in question:
Thanks chris I have emailed them to see if they represent the copyright holder.
Phill Earthy
Graham,
I have a PA28 going in for paint on Monday so will price up the ones we use give you the size etc…. you might need 2 for it,
Rolls Royce use the paint on theirs
Thanks will appreciate that we didnt get it done in time for Chelmsford and it was very slippery especially for 80 year old veterans.
Maybe in a vertical dive with a rocket up its chuff!
http://cgi.ebay.co.uk/HAWKER-HURRICANE-AIR-SPEED-INDICATOR-ROYAL-AIR-FORCE_W0QQcmdZViewItemQQ_trkparmsZ65Q3a10Q7c66Q3a2Q7c39Q3a1Q7c240Q3a1318Q7c301Q3a0Q7c293Q3a2Q7c294Q3a50QQ_trksidZp3286Q2ec0Q2em14QQhashZitem518ac4cf60QQitemZ350220504928QQptZUKQ5fCPVQ5fAviationQ5fSMQQsalenotsupportedPete
Ahh the very rare rocket powered Hurricane its a must have.
mk IX EN398
cheers
Baz
EN 398
Nice to see you had an uneventfull event.
Thanks all, must admit was a bit dubious going all that way first time but we gave the lorry a good service and it performed faultlessly. Its a long load but i didnt have any trouble and the Spit was a remarkably stable load not top heavy at all,:)
We are off to Essex again on August 8/9th at Damyns Hall near Upminster cant wait, lots of reanactors, lots of fun.:)
PMD
20 yards/60ft 😉
Enough for a Squadron of Spits LOL:diablo: I suppose if I could afford that it would not seem so expensive.
Very nice Graham – how was the grip binding done please?
Hello Mark 5
Here is the info my mate sent me hope it helps.
Tell your mate the covering is French whipped cord, wrapped in self-amalgamating tape. Tell him good luck, he’ll need a lot of cord and a lot of patience, the whipping is easy to learn but quite difficult to get neat and straight, and is a ****** to unpick if you make an error. The S/A tape needs carefull wrapping so it is all even but there is considerable variation in quality on the market, some tear a bit too easy and we’ll have to see how your one goes, this is why I put the whipping seam on the inside.