Apparantly Ray said “OK – but I like it that way!” so as far as I was concerned the case was closed π
Just about sums it up really, we can all nick pick, wrong colour, wrong roundels, wrong wheels, wrong exhaust stubs, too many prop blades etc……
At the end of the day, it’s their aircraft and up to them how they deck them out, whether accurate or not π
As with anything to do with the Vulcan flying again, totaly unrealistic :rolleyes:
Steady on there BM, the doom and gloom police will be after you for sowing dark clouds of cynicism, in future please smile when making such statements π
Didn’t take the ‘DOOMSTERS’ long to climb aboard this thread did it! Just can’t keep it to themselves……
1. The public square or marketplace of an ancient Roman city that was the assembly place for judicial activity and public business.
2. A public meeting place for open discussion.
3. A medium for open discussion or voicing of ideas, such as a newspaper, a radio or television program, or a website.
4. A public meeting or presentation involving a discussion usually among experts and often including audience participation.
5. A court of law; a tribunal.
I therefore think that those of us who are still sceptical as to whether this will happen or not, are allowed to voice that scepticism.
I for one am big enough to swallow those words, if, by a miracle the Vulcan does fly again, until then I remain a sceptic.
The Vulcan was bought for the nation therefore the price of appearances should be pegged to allow for the most possible widespread appearances i.e Scotland and indeed parts of the country which get hardly any displays such as Cornwall and Wales.
If it “does” take to the sky next year, some how I reckon this will not be feasible considering the costs that they will have to cover.
If she is up and flying by mid next year, anywhere that can afford to have her.
Interesting subject.
Out of interest how does this affect various Historic Aviation Magazines?
Some publish photo’s from ‘Joe Bloggs’, during his time in the forces, whilst he was stationed at some ‘exotic’ location, during the 50’s/60’s.
I guess going by the letter of the law as I read it, they should be considered Crown Copyright, if taken by a serviceman on active duty. However I doubt whether the authorities would expel the energy and expense of chasing after, and proving that, every snap by a serviceman was Crown Copyright.
However if the revenue from publishing such photographs starts going through the roof, watch out theyβll be claiming Crown Copyright all over the shop.
I think the problem really being discussed by this thread is the plagiarism of more recent pieces of work, and the posting of such pictures on/in other media forms without the permission of the copyright owner, which I hope the legal snippets that I have posted helps to clarify.
Ok, firstly – any photos I took myself whilst on MOD land during my RAF service I assume to fall under this “Crown Copyright” then? :confused:
Secondly – would this also apply to ANY photos taken at Airshows taking place on MOD land too??? It all sounds a bit much to me – how the forum’s many excellent photographers come under this I can’t imagine :confused:
From what I can gather it is while on duty, which as Damien has mentioned is while wearing a uniform of one her Majesties Armed Services and/or Civilian Security Services.
EN830 – Rather useful stuff !
I hope so. π I’m in the process of doing a law related diploma and have had to trawl through a lot of these websites for info. I must say, don’t take it as gospel; I have found many glaring errors in relation to what I am studying, on some “allegedly” reputable sites.
A few more that maybe able to help
Although a few countries require that a work be marked with the international Β© mark followed by the name of the copyright owner and year of publication, this is not essential in most countries, including the UK. However, marking in this way may assist in copyright infringement proceedings.
Ultimately this is a matter for the courts to decide. However, it may help copyright owners to deposit a copy of their work with a bank or solicitor or send a copy of their work to themselves by special delivery (which gives a clear date stamp on the envelope), leaving the envelope unopened on its return; this could establish that the work existed at this time. (Further details of special delivery should be available at Post Offices).
Although you are not obliged to do so it will usually be sensible, and save time and money, to try to resolve the matter with the party you think has infringed your copyright. If you cannot do this, then you may need to go to court. Before doing so, you should consider obtaining legal advice. Courts may grant a range of remedies, such as injunctions (to stop the other person making use of the material), damages for infringement, or orders to deliver up infringing goods. If infringing copies are being imported from outside the European Economic Area, you may ask HM Customs and Excise to stop them
Deliberate copyright infringement may be a criminal offence. If the copyright infringement is on a large scale (e.g. pirate or counterfeit copies of CDs are circulating) then it is worth informing the police or your local trading standards department. They can decide whether action by them, including possible prosecution, is justified.
And a couple to be aware of :-
Usually, but not invariably. The UK is a member of several international conventions in this field, notably the Berne Convention for the Protection of Literary and Artistic Works and the Universal Copyright Convention (UCC). Copyright material created by UK nationals or residents is protected in each member country of the conventions by the national law of that country. Most countries belong to at least one of the conventions, including all the Western European countries, the USA and Russia. A full list of the conventions and their member countries may be obtained from the Copyright Directorate. Protection overseas can also arise from obligations in the agreement on Trade Related Aspects of Intellectual Property Rights (TRIPS), which forms part of the World Trade Organisation (WTO) Agreement
Generally, when you put your work on a web site, it is probably a good idea to mark each page of the web site with the international Β© mark followed by the name of the copyright owner and year of publication. In addition, you could include information on your web site about the extent to which you are content for others to use your copyright material without permission. Although material on a web site is protected by copyright in the same way as material in other media, you should bear in mind that web sites are accessible from all over the world and, if material on your web site is used without your permission, you would generally need to take action for copyright infringement where this use occurs.
Personally I don’t have to worry about Copyright, as my work isn’t of a grade where anyone in their right mind would want to copy it.
This may help in this debate
http://www.direct.gov.uk Crown copyright is copyright material which is produced by employees of the Crown in the course of their duties. Therefore, most material originated by ministers and civil servants is protected by Crown copyright
and just in case there’s any doubt the same definition from http://www.opsi.gov.uk
A. Copyright material which is produced by employees of the Crown in the course of their duties. Most material originated by ministers and civil servants is protected by Crown copyright. For guidance about a range of copyright and access issues see the Crown copyright guidance notes.http://www.opsi.gov.uk/advice/crown-copyright/copyright-guidance/index.htm
The general rule is that the author is the first owner of copyright in a literary, dramatic, musical or artistic work. In the case of films, the principal director and the film producer are joint authors and first owners of copyright. The main exception is where a work or film is made in the course of employment, in which case the employer owns the copyright. The copyright in sound recordings, broadcasts and published editions generally belongs to the record producer, broadcaster or publisher.
No. Copyright exists independently of the medium on which a work is recorded. So if, say, you have bought or inherited a painting, you only own any copyright in it if that also has been transferred to you.
Is material on the Internet protected by copyright?
Yes. Under UK law (the position in other countries may differ) copyright material sent over the Internet or stored on web servers will generally be protected in the same way as material in other media. So anyone wishing to put copyright material on the Internet, or further distribute or download such material that others have placed on the Internet, should ensure that they have the permission of the owners of rights in the material.
Copyright in a literary, dramatic, musical or artistic work (including a photograph) lasts until 70 years after the death of the author. The duration of copyright in a film is 70 years after the death of the last to survive of the principal director, the authors of the screenplay and dialogue, and the composer of any music specially created for the film. Sound recordings are generally protected for 50 years from the year of publication. Broadcasts are protected for 50 years and published editions are protected for 25 years.
For copyright works created outside the UK or another country of the European Economic Area, the term of protection may be shorter. There may also be differences for works created before 1 January 1996.
So it is possibly from a Warwick V as they were powered by Bristol Centaurus VII’s driving four-bladed Rotol propellers !!!!.
210 GR Mk.Vs were built, though just one squadron was equipped at the war’s end, No 179.
Guessing by Ross’s contribution he seems to have a theory π
You lot have been living on an island for too long!
Maybe so, but at least our big neighbours don’t habitually use the country for military manoeuvres every 60 to 80 years π
Have you tried Specsavers ??? You can just make out the forward landing assembly among the dust particles.

Quite refreshing, whilst most of euroland suffocates in bureaucracy and micro-management.
Created by the French in the first instance π
I am going to watch from the field next to the M11.
Good place to be, you’ll see everything from there including the two minute silence π
However I am now waiting to hear that in fact his tail was shot off, and that both he and N!gger were seen in a certain hostelry in Liverpool in 1945 on VE night throwing down copious quantities of lager. This then led to both of them becoming ‘legless’ in the traditional manner of 99.999% of aircrew. π
While I don’t want to hi-jack this thread, I think I must share a photograph that I have received from a fiend of mine in Australasia. According to his email DB and N!gger were not the only note-worthy individuals to have stayed at the Storch Hotel in Livergrad. By all accounts is has been the favoured haunt of many high profile people, wishing to get away, over the years, as his photograph shows.
I have inspected this photograph closely, and can confirm that is hasn’t been doctored in any way or form, it is as genuine as a Tony Blair address to the house of commons.
